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Raag Bhairavi ਭੈਰਵੀ

All twelve swaras are also used.

Make a palta in Raag Bhairavi

Thaat
Bhairavi
Jaati
sampurna
Vadi
Ma ਮ
Samvadi
Sa ਸ
Time
first pahar of the day
Swaras
SareRegaGaMaMaPadhaDhaniNi

Aroh and avroh

Aroh — going up

EnglishSaregaMaPadhaniSaਗੁਰਮੁਖੀਸਰਗਮਪਧਨਸदेवनागरीसारेगमपधनिसा

Avroh — coming down

EnglishSanidhaPaMagareSaਗੁਰਮੁਖੀਸਨਧਪਮਗਰਸदेवनागरीसानिधपमगरेसा

From the raag introduction in Gurmat Sangeet Sagar, Part 1, page 137, by Principal Dyal Singh. Commas are the book's own groupings. A dash under a swara is komal, a dot under it mandra (lower octave), a dot over it taar (upper octave), a stroke over Ma teevra.

This reading has not yet been checked by hand against the printed page. If your copy differs, please write.

Practising Raag Bhairavi

Sing the aroh and avroh slowly over the tanpura, then in palta form: the studio's palta builder takes a few swaras and builds the whole aroh and avroh using only the swaras Raag Bhairavi takes, each way, as the book prints them. Start at ek gun (one swara a matra) and move to do gun and chaugun as it settles.