Raag Bhairavi ਭੈਰਵੀ
All twelve swaras are also used.
- Thaat
- Bhairavi
- Jaati
- sampurna
- Vadi
- Ma ਮ
- Samvadi
- Sa ਸ
- Time
- first pahar of the day
- Swaras
- SareRegaGaMaMaPadhaDhaniNi
Aroh and avroh
Aroh — going up
EnglishSaregaMaPadhaniSaਗੁਰਮੁਖੀਸਰਗਮਪਧਨਸदेवनागरीसारेगमपधनिसा
Avroh — coming down
EnglishSanidhaPaMagareSaਗੁਰਮੁਖੀਸਨਧਪਮਗਰਸदेवनागरीसानिधपमगरेसा
From the raag introduction in Gurmat Sangeet Sagar, Part 1, page 137, by Principal Dyal Singh. Commas are the book's own groupings. A dash under a swara is komal, a dot under it mandra (lower octave), a dot over it taar (upper octave), a stroke over Ma teevra.
This reading has not yet been checked by hand against the printed page. If your copy differs, please write.
Practising Raag Bhairavi
Sing the aroh and avroh slowly over the tanpura, then in palta form: the studio's palta builder takes a few swaras and builds the whole aroh and avroh using only the swaras Raag Bhairavi takes, each way, as the book prints them. Start at ek gun (one swara a matra) and move to do gun and chaugun as it settles.