Raag Sarang ਸਾਰੰਗ
It is also called Brindabani Sarang.
- Thaat
- Kafi
- Jaati
- audav-audav
- Vadi
- Re ਰ
- Samvadi
- Pa ਪ
- Time
- second pahar of the day (noon)
- Swaras
- SaReMaPaniNi
Aroh and avroh
Aroh — going up
EnglishniSaReMaPaNiSaਗੁਰਮੁਖੀਨਸਰਮਪਨਸदेवनागरीनिसारेमपनिसा
Avroh — coming down
EnglishSaniPaMaReSaਗੁਰਮੁਖੀਸਨਪਮਰਸदेवनागरीसानिपमरेसा
From the raag introduction in Gurmat Sangeet Sagar, Part 1, page 171, by Principal Dyal Singh. Commas are the book's own groupings. A dash under a swara is komal, a dot under it mandra (lower octave), a dot over it taar (upper octave), a stroke over Ma teevra.
This reading has not yet been checked by hand against the printed page. If your copy differs, please write.
Practising Raag Sarang
Sing the aroh and avroh slowly over the tanpura, then in palta form: the studio's palta builder takes a few swaras and builds the whole aroh and avroh using only the swaras Raag Sarang takes, each way, as the book prints them. Start at ek gun (one swara a matra) and move to do gun and chaugun as it settles.