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Dhakka ਧੱਕਾ (ਇਕ-ਤਾਲਾ)

A 12-matra taal (also known as Ik-taala / Ektaal), counted in 6 vibhags of 2 + 2 + 2 + 2 + 2 + 2.

Practise over this theka A palta in Dhakka

Matras
12
Vibhags
2 + 2 + 2 + 2 + 2 + 2
Sam (×)
matra 1
Taali (clap)
matras 5, 9, 11
Khali (0, wave)
matras 3, 7

The theka

As printed in Gurmat Sangeet Sagar, Part 1, page 20.
Matra123456789101112
Mark×02034
ਗੁਰਮੁਖੀਧਿੰਧਿੰਧਾਗੇਤਿਟਕਿਟਤੂਨਾਕੱਤਤਾਧਾਗੇਤਿਟਗਿਟਧਿੰਧਾਧਾ
देवनागरीधिनधिनधागेਤਿਟਕਿਟतूनाकटताधागेਤਿਟਗਿਟधिनਧਾਧਾ
EnglishDhinDhinDhageਤਿਟਕਿਟTuNaKatTaDhageਤਿਟਗਿਟDhinਧਾਧਾ

What the studio plays

The book prints its own theka for Dhakka. When the studio plays Dhakka it sounds the common Ektal theka instead, keeping the book's sam, taali and khali, because that is the one most players will know:

The common Ektal theka.
Matra123456789101112
Mark×02034
ਗੁਰਮੁਖੀਧਿੰਧਿੰਧਾਗੇਤ੍ਰਿਕੜਤੂਨਾਕੱਤਤਾਧਾਗੇਤ੍ਰਿਕੜਧਿੰਨਾ
देवनागरीधिनधिनधागेत्रिकटतूनाकटताधागेत्रिकटधिनना
EnglishDhinDhinDhageTrikRaTuNaKatTaDhageTrikRaDhinNa

How to keep Dhakka

Count the 12 matras aloud while you clap the taal: a clap on sam, the first and strongest beat, and on every taali, and a wave of the hand on khali, the empty beat. The vibhags of 2 + 2 + 2 + 2 + 2 + 2 tell you where each clap or wave falls; the theka above is what the tabla plays across one avartan, and the melody of a bandish lands back on sam at the end of every avartan.

In the studio, every bandish and palta in Dhakka plays over this theka, with the matra that is sounding lit in the notation and the bol lit in the theka, at any tempo from 30 to 260 matras a minute.

Other taals of 12 matras