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Jhap-taal ਝਪ-ਤਾਲ

A 10-matra taal (also known as Jhaptaal), counted in 4 vibhags of 2 + 3 + 2 + 3.

Practise over this theka A palta in Jhap-taal

Matras
10
Vibhags
2 + 3 + 2 + 3
Sam (×)
matra 1
Taali (clap)
matras 3, 8
Khali (0, wave)
matra 6

The theka

As printed in Gurmat Sangeet Sagar, Part 1, page 19.
Matra12345678910
Mark×203
ਗੁਰਮੁਖੀਧਾਤ੍ਰਿਕੜਧਿੰਧਿੰਨਾਤਿਟਧਿੰਧਿੰਨਾ
देवनागरीधात्रिकटधिनधिननातिटधिनधिनना
EnglishDhaTrikRaDhinDhinNaTiTatDhinDhinNa

This reading of the page has not yet been checked by hand against the printed book. If you see a bol that differs from your copy, please write.

What the studio plays

The book prints its own theka for Jhap-taal. When the studio plays Jhap-taal it sounds the common Jhaptal theka instead, keeping the book's sam, taali and khali, because that is the one most players will know:

The common Jhaptal theka.
Matra12345678910
Mark×203
ਗੁਰਮੁਖੀਧਿੰਨਾਧਿੰਧਿੰਨਾਤਿੰਨਾਧਿੰਧਿੰਨਾ
देवनागरीधिननाधिनधिननातिननाधिनधिनना
EnglishDhinNaDhinDhinNaTinNaDhinDhinNa

How to keep Jhap-taal

Count the 10 matras aloud while you clap the taal: a clap on sam, the first and strongest beat, and on every taali, and a wave of the hand on khali, the empty beat. The vibhags of 2 + 3 + 2 + 3 tell you where each clap or wave falls; the theka above is what the tabla plays across one avartan, and the melody of a bandish lands back on sam at the end of every avartan.

In the studio, every bandish and palta in Jhap-taal plays over this theka, with the matra that is sounding lit in the notation and the bol lit in the theka, at any tempo from 30 to 260 matras a minute.

Other taals of 10 matras